2012 José Ramírez "SP" No. 12-018 CD/IN
| Year | 2012 |
| Top | Cedar |
| Back & Sides | Indian Rosewood |
| Scale Length | 650 mm |
| Nut width | 52 mm |
| Finish | Lacquer |
| Country | Spain |
| Luthier | Amalia Ramírez |
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Description
This 2012 José Ramírez "SP" No. 12-018 is a classical guitar with a cedar top and Indian rosewood back and sides – the cedar-top version of the reissued "SP".
The Ramírez Workshop in 2012
It comes from the famous José Ramírez workshop – today directed by Amalia Ramírez – whose instruments have been played by countless professionals over more than half a century, from Segovia and Sabicas to Sting, Chet Atkins, Lee Ritenour and Christopher Parkening. By the time this guitar was built, Amalia Ramírez had been in charge of the workshop for ten years – she succeeded her brother José Ramírez IV in 2000, and she inspects every guitar during and after construction.
The Reissued "SP"
This is the newer version of the "SP" model, with a striking rosette designed by Amalia Ramírez and a simpler, smaller label, similar in many ways to labels from earlier periods. It is designed for the semi-professional – hence the name. This is the cedar-top version, which many players believe gives Ramírez its classic sound: Ramírez were the first to popularize cedar, from the mid-1960s.
Sound and Label
Playability and tone are superb, with plenty of volume for the concert stage – a truly remarkable guitar for the player who needs a top-level instrument. A hardshell case was included. The oval "Guitarra SP" label is numbered 12-018 and dated 2012.
For more on Ramírez, be sure to read The Ramírez Family: Masters of the Guitar; meet the family members from Amalia Ramírez back to José I; and for some interesting fact-checking, see our article on myths and facts about this legendary workshop.
Background
The José Ramírez Workshop of Madrid
Founded in Madrid in 1882 by José Ramírez I, the Ramírez workshop has produced guitars for more than a century and through five generations of the family. José Ramírez III (1922–1995) took over as maestro in 1957 and developed the Ramírez concert guitar we know today – large in body, with a long string length and a cedar or spruce top, with great power, sustain, sweetness and balance across the entire register. He popularized western red cedar as a soundboard wood, and from the 1960s Andrés Segovia played José Ramírez guitars to the end of his days.
Ramírez Craftsmen and the Next Generations
From the 1960s to the 1990s the workshop trained many of the most talented guitarreros of the day, among them Paulino Bernabé and Manuel Contreras. In 1995 the shop moved from Calle Concepción Jerónima 2 to Calle de la Paz 8, and since the death of José Ramírez IV in June 2000 the business has been directed by his sister, Amalia Ramírez, who inspects every guitar during and after construction.
The Workshop Under Amalia Ramírez
Under Amalia Ramírez the workshop has kept the classic concert guitar at the heart of its range – the "1a" (first class) in the "Tradicional" design, its model code written by hand on the label: C650 for a cedar top with Indian rosewood, "-A" for a spruce (abeto) top, "-P" for CSA rosewood (palosanto) and "-AP" for both, with F656 and F656-A for the cedar and spruce flamencos. Around it she has built a wider family of models: the "Centenario" and "Elite", made with the workshop's most precious woods; the reissued "SP" and "2a"; the "Auditorio", "Antigua" and "Guitarra del Tiempo"; anniversary series such as the "125 Años" and "130 Años"; replicas of historic guitars, from the 1912 Manuel Ramírez played by Segovia to the 1913 "Guitarra de Tablao" of José Ramírez I; and the studio lines NE, R and FL. The concert guitars carry the Calle de la Paz 8 label, signed by Amalia Ramírez with her star signature and numbered with a letter-and-number code (Centenario and Elite have numbers of their own), while the studio guitars have an orange "Guitarras de Estudio" label, "Diseñada, Revisada y Certificada por Ramírez", with the red "Calidad Ramírez" stamp.
