2014 José Ramírez "130 Años" No. 1029 CD/IN
| Year | 2014 |
| Top | Cedar |
| Back & Sides | Indian Rosewood |
| Scale Length | 650 mm |
| Nut width | 52 mm |
| Finish | Lacquer |
| Country | Spain |
| Luthier | Amalia Ramírez |
This guitar is no longer available in our inventory. If it interests you, click the ”notify me when available” button to be notified in the event that we re-acquire this guitar for re-sale.
Description
This 2014 José Ramírez "130 Años" No. 1029 is a classical guitar with a cedar top and Indian rosewood back and sides – the 130th-anniversary limited edition (2012–2017).
Built in the Calle de la Paz Workshop
Countless professionals have performed on instruments from the famous José Ramírez workshop over the past half century and more – think of Sting and Segovia, Sabicas and Chet Atkins, or Lee Ritenour and Christopher Parkening. Since 2000 the workshop has been in the hands of Amalia Ramírez, and this guitar was made well into her direction.
The "130 Años" Limited Edition
Based on the template of the "E" line designed by José Ramírez III, the "130 Años" was created by Amalia Ramírez as the newest model of the limited-edition series – built for five years, from 2012 to 2017, to commemorate the 130th anniversary of the Ramírez dynasty of guitar makers.
Case and Label
A new hardshell case was included. The label reads "Guitarra nº 1029 de una serie limitada de 5 años (2012–2017)", dated 2014, with the "Calidad Ramírez" stamp – "Diseñada, Revisada y Certificada por Ramírez".
For the story of the workshop, read The Ramírez Family: Masters of the Guitar and The José Ramírez Dynasty; for some interesting fact-checking, see José Ramírez: myths and facts.
Background
The José Ramírez Workshop of Madrid
Founded in Madrid in 1882 by José Ramírez I, the Ramírez workshop has produced guitars for more than a century and through five generations of the family. José Ramírez III (1922–1995) took over as maestro in 1957 and developed the Ramírez concert guitar we know today – large in body, with a long string length and a cedar or spruce top, with great power, sustain, sweetness and balance across the entire register. He popularized western red cedar as a soundboard wood, and from the 1960s Andrés Segovia played José Ramírez guitars to the end of his days.
Ramírez Craftsmen and the Next Generations
From the 1960s to the 1990s the workshop trained many of the most talented guitarreros of the day, among them Paulino Bernabé and Manuel Contreras. In 1995 the shop moved from Calle Concepción Jerónima 2 to Calle de la Paz 8, and since the death of José Ramírez IV in June 2000 the business has been directed by his sister, Amalia Ramírez, who inspects every guitar during and after construction.
The Workshop Under Amalia Ramírez
Under Amalia Ramírez the workshop has kept the classic concert guitar at the heart of its range – the "1a" (first class) in the "Tradicional" design, its model code written by hand on the label: C650 for a cedar top with Indian rosewood, "-A" for a spruce (abeto) top, "-P" for CSA rosewood (palosanto) and "-AP" for both, with F656 and F656-A for the cedar and spruce flamencos. Around it she has built a wider family of models: the "Centenario" and "Elite", made with the workshop's most precious woods; the reissued "SP" and "2a"; the "Auditorio", "Antigua" and "Guitarra del Tiempo"; anniversary series such as the "125 Años" and "130 Años"; replicas of historic guitars, from the 1912 Manuel Ramírez played by Segovia to the 1913 "Guitarra de Tablao" of José Ramírez I; and the studio lines NE, R and FL. The concert guitars carry the Calle de la Paz 8 label, signed by Amalia Ramírez with her star signature and numbered with a letter-and-number code (Centenario and Elite have numbers of their own), while the studio guitars have an orange "Guitarras de Estudio" label, "Diseñada, Revisada y Certificada por Ramírez", with the red "Calidad Ramírez" stamp.
