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2020 José Ramírez "1a Mangoré" No. 1 SP/IN

Year 2020
Top Spruce
Back & Sides Indian Rosewood
Scale Length 650 mm
Nut width 50 mm
Finish Lacquer
Country Spain
Luthier Amalia Ramírez

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Videos

2020 José Ramírez "1a Mangoré" No. 1 SP/IN

Matthew Dunne's "Miniature 12" performed by Ashley Lucero on a 2020 Jose Ramirez "Mangore"

Description

This 2020 José Ramírez "1a Mangoré" No. 1 is a classical guitar with a spruce top and Indian rosewood back and sides – the first replica of Agustín Barrios Mangoré's 1911 José Ramírez I.

Built in the Calle de la Paz Workshop

It comes from the famous José Ramírez workshop – today directed by Amalia Ramírez – whose instruments have been played by countless professionals over more than half a century, from Segovia and Sabicas to Sting, Chet Atkins, Lee Ritenour and Christopher Parkening. Amalia Ramírez, the fifth generation of the family, has directed the workshop since 2000 and inspects every guitar during and after construction.

Barrios's 1911 José Ramírez I

Agustín Barrios Mangoré's 1911 José Ramírez I is a legendary guitar, and undoubtedly one of the most significant guitars of the 20th century. Barrios acquired it shortly after arriving in the Río de la Plata region, from his acquaintance Carlos Trapani, who ran a music store in Montevideo, and he played it on his first commercial recordings in 1913. That same year the guitar was famously damaged when it sank in a shipwreck on the Tanqueras River in Uruguay. This replica, the first built in the Ramírez workshop, more than a century after the original, has the look and feel of the guitar as it would have been before the water damage – its soundboard is much clearer, since the original is now as dark as cedar.

Sound and Label

Like the tablao guitars, it has an "antique" quality of sound, largely due to the flatter box depth and the extra width of both bouts; it is absolutely charming to play, with plenty of power for any concert setting, and a 50mm nut. This is No. 1 of the limited series of the "Mangoré" model – "Nº de guitarra 1" on the label, which is dated 2020 and signed by Amalia Ramírez.

Amalia Ramírez on the Mangoré

Amalia Ramírez told us about seeing the original: "I visited Asunción in 2014, La Casa de la Música, where the original tablao guitar built by my great grandfather and that belonged to Mangoré, is exhibited in the entrance and it is one of Paraguay's most valuable treasures as they told me… with the words written by Agustín Barrios on its soundboard, which is a legend. Almost six years later we have reproduced that guitar using the templates of the original Tablao model designed at the beginning of the 20th century, corresponding to Barrios' guitar. Of course we have not reproduced his written dedication on the soundboard, but in every other respect the guitar is the same, with its spruce top and its rosewood back and sides and the intricate design of its mother-of-pearl rosette, as an initiative of my nephews Cristina and Enrique, being Enrique who built the first copy following the parameters of his great-great-grandfather, José Ramírez I."

The Video

In the video above Ashley Lucero plays Matthew Dunne's "Miniature 12" on this guitar.

For the story of the workshop, read The Ramírez Family: Masters of the Guitar and The José Ramírez Dynasty; for some interesting fact-checking, see José Ramírez: myths and facts.

Background

The José Ramírez Workshop of Madrid

Founded in Madrid in 1882 by José Ramírez I, the Ramírez workshop has produced guitars for more than a century and through five generations of the family. José Ramírez III (1922–1995) took over as maestro in 1957 and developed the Ramírez concert guitar we know today – large in body, with a long string length and a cedar or spruce top, with great power, sustain, sweetness and balance across the entire register. He popularized western red cedar as a soundboard wood, and from the 1960s Andrés Segovia played José Ramírez guitars to the end of his days.

Ramírez Craftsmen and the Next Generations

From the 1960s to the 1990s the workshop trained many of the most talented guitarreros of the day, among them Paulino Bernabé and Manuel Contreras. In 1995 the shop moved from Calle Concepción Jerónima 2 to Calle de la Paz 8, and since the death of José Ramírez IV in June 2000 the business has been directed by his sister, Amalia Ramírez, who inspects every guitar during and after construction.

The Workshop Under Amalia Ramírez

Under Amalia Ramírez the workshop has kept the classic concert guitar at the heart of its range – the "1a" (first class) in the "Tradicional" design, its model code written by hand on the label: C650 for a cedar top with Indian rosewood, "-A" for a spruce (abeto) top, "-P" for CSA rosewood (palosanto) and "-AP" for both, with F656 and F656-A for the cedar and spruce flamencos. Around it she has built a wider family of models: the "Centenario" and "Elite", made with the workshop's most precious woods; the reissued "SP" and "2a"; the "Auditorio", "Antigua" and "Guitarra del Tiempo"; anniversary series such as the "125 Años" and "130 Años"; replicas of historic guitars, from the 1912 Manuel Ramírez played by Segovia to the 1913 "Guitarra de Tablao" of José Ramírez I; and the studio lines NE, R and FL. The concert guitars carry the Calle de la Paz 8 label, signed by Amalia Ramírez with her star signature and numbered with a letter-and-number code (Centenario and Elite have numbers of their own), while the studio guitars have an orange "Guitarras de Estudio" label, "Diseñada, Revisada y Certificada por Ramírez", with the red "Calidad Ramírez" stamp.

Guitars by Amalia Ramírez