1967 José Ramírez "1a MT" No. 2511 CD/CSAR

This 1967 José Ramírez "1a MT" No. 2511 is a cedar-top classical guitar with CSA rosewood back and sides, built in Madrid by Mariano Tezanos – one of the most sought-after Ramírez makers.

The 1967 Ramírez "1a MT"

Countless professionals have performed on instruments from the famous José Ramírez III workshop over the past half century and more – think of Sting and Segovia, Sabicas and Chet Atkins, or Lee Ritenour and Christopher Parkening. Rich, thick and yet clear throughout, the tone is the classic and identifiable Ramírez sound of the period, with that essential warm, mysterious and moody quality.

Mariano Tezanos

It is stamped MT inside, for Mariano Tezanos – with Antonio Martínez (AM), the most sought-after of the Ramírez makers, not least because of Segovia's fondness for his 1968 MT, arguably his favorite Ramírez (a complete list of the Ramírez luthiers of this era is here).

Label and Condition

On the label: José Ramírez III's signature, the year 1967 and No. 2511. There are some well-repaired cracks in the top.

Curious about the family? Our blog has The Ramírez Family: Masters of the Guitar, the whole line from Amalia Ramírez back to José I, and a little fact-checking on the myths and facts about this legendary workshop.

The José Ramírez Workshop of Madrid

Founded in Madrid in 1882 by José Ramírez I, the Ramírez workshop has produced guitars for more than a century and through five generations of the family. José Ramírez III (1922–1995) took over as maestro in 1957 and developed the Ramírez concert guitar we know today – large in body, with a long string length and a cedar or spruce top, with great power, sustain, sweetness and balance across the entire register. He popularized western red cedar as a soundboard wood, and from the 1960s Andrés Segovia played José Ramírez guitars to the end of his days.

Ramírez Craftsmen and the Next Generations

From the 1960s to the 1990s the workshop trained many of the most talented guitarreros of the day, among them Paulino Bernabé and Manuel Contreras. In 1995 the shop moved from Calle Concepción Jerónima 2 to Calle de la Paz 8, and since the death of José Ramírez IV in June 2000 the business has been directed by his sister, Amalia Ramírez, who inspects every guitar during and after construction.

Ramírez Models, Labels and Builders' Stamps

For decades the workshop sold its guitars by class rather than by model name. The "1a" (first class) was the standard concert guitar; the "2a" (second class) was built the same way, and the shop explained its lower price tag by materials that might have minor aesthetic blemishes, or by its having been built by an apprentice rather than a foreman. Flamenco guitars add an "F" – "1aF" and "2aF". Until 1967 the labels carried only the year; from 1967 they were signed by José Ramírez III and gave the guitar's number and class, and from 1973 the 2a had a grey label of its own, with a red border and "R" numbers. Until 1971, many Ramírez guitars were stamped inside with the initials of the craftsman who built them – AM for Antonio Martínez, MT for Mariano Tezanos, PB for Paulino Bernabé and many more (see our list of Ramírez workshop luthiers). Later decades brought new models: the "Centenario", which roughly marked the workshop's hundredth anniversary; the "Da Cámara"; the shorter-scale C86 of 1986; and, under José Ramírez IV, the "Tradicional" and the "Especial".