1971 José Ramírez "1a" No. 4559 CD/CSAR

This 1971 José Ramírez "1a" No. 4559 is a classical guitar with a cedar top and CSA rosewood back and sides, built in Madrid by Juan García Rey and donated to the GSI Foundation.

The José Ramírez Workshop in 1971

Segovia, Sabicas, Christopher Parkening, Chet Atkins, Lee Ritenour, Sting – the list of professionals who have played instruments from the José Ramírez III workshop over the past half century is practically endless.

Stamped "JG": Juan García Rey

It is stamped internally with the builder's initials, "JG", which stand for Juan García Rey (see our list of Ramírez workshop luthiers).

Sound and Playability

Playability is very easy, with a lovely neck and easy action, which is not a given with guitars of this era and the way they were often set up. You hear it straight away – a thick yet clear tone with that essential warm, moody and mysterious quality that made Ramírez famous.

Label and Condition

Signed by José Ramírez III, the label gives the number 4559 and the year 1971. The condition is great for its age, with no damage or repairs, only very modest playing wear. An excellent example of a fine Ramírez for either collector or concert player.

To learn more, read The Ramírez Family: Masters of the Guitar; meet the family members from Amalia Ramírez back to José I; and for some interesting fact-checking, see our article on myths and facts about this legendary workshop.

The José Ramírez Workshop of Madrid

Founded in Madrid in 1882 by José Ramírez I, the Ramírez workshop has produced guitars for more than a century and through five generations of the family. José Ramírez III (1922–1995) took over as maestro in 1957 and developed the Ramírez concert guitar we know today – large in body, with a long string length and a cedar or spruce top, with great power, sustain, sweetness and balance across the entire register. He popularized western red cedar as a soundboard wood, and from the 1960s Andrés Segovia played José Ramírez guitars to the end of his days.

Ramírez Craftsmen and the Next Generations

From the 1960s to the 1990s the workshop trained many of the most talented guitarreros of the day, among them Paulino Bernabé and Manuel Contreras. In 1995 the shop moved from Calle Concepción Jerónima 2 to Calle de la Paz 8, and since the death of José Ramírez IV in June 2000 the business has been directed by his sister, Amalia Ramírez, who inspects every guitar during and after construction.

Ramírez Models, Labels and Builders' Stamps

For decades the workshop sold its guitars by class rather than by model name. The "1a" (first class) was the standard concert guitar; the "2a" (second class) was built the same way, and the shop explained its lower price tag by materials that might have minor aesthetic blemishes, or by its having been built by an apprentice rather than a foreman. Flamenco guitars add an "F" – "1aF" and "2aF". Until 1967 the labels carried only the year; from 1967 they were signed by José Ramírez III and gave the guitar's number and class, and from 1973 the 2a had a grey label of its own, with a red border and "R" numbers. Until 1971, many Ramírez guitars were stamped inside with the initials of the craftsman who built them – AM for Antonio Martínez, MT for Mariano Tezanos, PB for Paulino Bernabé and many more (see our list of Ramírez workshop luthiers). Later decades brought new models: the "Centenario", which roughly marked the workshop's hundredth anniversary; the "Da Cámara"; the shorter-scale C86 of 1986; and, under José Ramírez IV, the "Tradicional" and the "Especial".