2009 José Ramírez "Elite" No. 195 CD/CSAR

This 2009 José Ramírez "Elite" No. 195 is a classical guitar with a cedar top and CSA rosewood back and sides – one of the few Elites built each year.

A 2009 Ramírez Concert Guitar

The Ramírez workshop, where this guitar was made, has supplied countless professionals over more than half a century: Andrés Segovia and Sabicas, Christopher Parkening and Chet Atkins, Lee Ritenour and even Sting. This is a guitar of the early Amalia Ramírez years, made in the Calle de la Paz workshop that she has directed since 2000.

About the "Elite" Model

Very few Elites leave the workshop – we are lucky to see one or two a year – so they rarely circulate on the open market. Very similar to the 1a Tradicional in its specifications, the Elite uses precious materials from previous generations, and the workmanship is exquisite, with great attention to detail. It is the choice of the player or collector who wants nothing less than the best of the best.

Sound and Condition

It is a lacquered example of the model, with cedar and CSA rosewood. The label (Calle de la Paz 8) is signed by Amalia Ramírez, dated 2009 and numbered 195.

More reading on our blog: The Ramírez Family: Masters of the Guitar, The José Ramírez Dynasty (from Amalia back to José I) and some interesting fact-checking in José Ramírez: myths and facts.

The José Ramírez Workshop of Madrid

Founded in Madrid in 1882 by José Ramírez I, the Ramírez workshop has produced guitars for more than a century and through five generations of the family. José Ramírez III (1922–1995) took over as maestro in 1957 and developed the Ramírez concert guitar we know today – large in body, with a long string length and a cedar or spruce top, with great power, sustain, sweetness and balance across the entire register. He popularized western red cedar as a soundboard wood, and from the 1960s Andrés Segovia played José Ramírez guitars to the end of his days.

Ramírez Craftsmen and the Next Generations

From the 1960s to the 1990s the workshop trained many of the most talented guitarreros of the day, among them Paulino Bernabé and Manuel Contreras. In 1995 the shop moved from Calle Concepción Jerónima 2 to Calle de la Paz 8, and since the death of José Ramírez IV in June 2000 the business has been directed by his sister, Amalia Ramírez, who inspects every guitar during and after construction.

The Workshop Under Amalia Ramírez

Under Amalia Ramírez the workshop has kept the classic concert guitar at the heart of its range – the "1a" (first class) in the "Tradicional" design, its model code written by hand on the label: C650 for a cedar top with Indian rosewood, "-A" for a spruce (abeto) top, "-P" for CSA rosewood (palosanto) and "-AP" for both, with F656 and F656-A for the cedar and spruce flamencos. Around it she has built a wider family of models: the "Centenario" and "Elite", made with the workshop's most precious woods; the reissued "SP" and "2a"; the "Auditorio", "Antigua" and "Guitarra del Tiempo"; anniversary series such as the "125 Años" and "130 Años"; replicas of historic guitars, from the 1912 Manuel Ramírez played by Segovia to the 1913 "Guitarra de Tablao" of José Ramírez I; and the studio lines NE, R and FL. The concert guitars carry the Calle de la Paz 8 label, signed by Amalia Ramírez with her star signature and numbered with a letter-and-number code (Centenario and Elite have numbers of their own), while the studio guitars have an orange "Guitarras de Estudio" label, "Diseñada, Revisada y Certificada por Ramírez", with the red "Calidad Ramírez" stamp.